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Category Quick links: film and television or acting technique (icon legend) class schedules film and television On Camera Scene Study and Audition Technique for Film and TV        
Description: Scene Study: Incorporating OBSERVATIONAL THEORY OF TECHNIQUE* and all applicable versions of R.I.D.E THEORY OF MEMORIZATION* to template and block current television and film scripts, this class is designed to inspire actors to develop their most compelling qualities on camera and eliminate mannerisms and "acting tricks" that can hide an actors' uniqueness and vulnerability. The focus will be on making dynamic and effective choices both internally and externally. All final scenes will involve the use of props, specific application to location/set and marks while focusing on continuity, sequencing and the technical awareness of the camera medium and frame. Audition Technique: Using current (actual sides as available) audition sides, the actor will be lead through a complete audition situation. The focus will be on the practical application of isolating physical impulses pertaining to blocking and scoring while utilizing exercises to develop relaxation, presence, confidence and technical awareness for camera, lighting and sound. Since all of the master rotation courses are ongoing/continuous, each class will vary on theme and content (process technique and sensory, memorization, physicality, camera blocking, Chroma key, ADR, continuity and replacement, stage combat and film fight choreography, special effects production: squib, harness, blood packs, etc. and post production application: morphing and CGI, script templating, writing and re-templating, screenplay and applied directing) according to the needs/requests of each student and limitations of set versus location filming. This course is also designed to accommodate directors who are interested in improving their communication skills with actors. Acting for the Camera / Process Intensive 
Description: The first stage begins with a step-by-step overview of the industry covering all facets of the business and related requirements (picture and resume, breakdown of agents, casting, unions, working permits and related applications) as pertaining to the Canadian and U.S. markets. Following this, OBSERVATIONAL THEORY OF TECHNIQUE* (as derived from a hybrid of both Method and Classical techniques) will be implemented into casting ideals and introduced to the application to camera medium within progressive cold read exercises. The actor will then be lead through an extensive on camera scene study application (focusing “on set" protocol with the emphasis on transitional blocking and continuity) followed by internalized monologue work. This stage will then be reviewed as applied to a practical audition scenario. The second stage focuses on the evolution of OBSERVATIONAL THEORY OF TECHNIQUE as R.I.D.E THEORY OF MEMORIZATION* (including Quick R.I.D.E., Blocking R.I.D.E. and Contextual R.I.D.E) is introduced over a twenty-one day program. The major applications being to INSTINCTIVE PHYSICALITY* and final execution of blocking. The summation lesson is again reviewed in an audition scenario, this time incorporating Physicality and R.I.D.E. Theory. *copyright Glenn Bang Acting for the Camera / Process Intensive
Description: ACTING FOR THE CAMERA / PROCESS INTENSIVE will be taught once yearly (as applicable at each individual location) by Glenn Bang in an intensive four class format for actors with direct referral and/or industry experience. On Camera Scene Study / Taking Direction 
Description: The actor will develop effective working methods using contemporary scripts from film and television. Process technique applied to blocking, start/stop rehearsals and shooting scenes will form the basis for class work. The emphasis will be on the actors' protocol on set in dealing with various shooting scenarios that the actor may face and making efficient and effective adjustments as required to fulfill direction. All complete scenes (and replacement pick-ups) will be filmed and later reviewed. The Art of Not Acting
Description: From landing the roles you want to getting the most out of your technique (from a theoretical perspective to on set applications), this course is designed to elevate your work to the next level. The content will primarily focus on audition techniques and tips on using a three part preparation system. Besides non camera work, auditions will be staged to provide participants with as much practical, hands on experience as possible. Getting the best out of your work in an on set environment will also be covered. acting technique Process Acting Technique and Developmental Script Analysis
Description: This course will be randomly offered to select students with previous training with Glenn Bang. Depending on project, classes will be held at various locations and may include a final performance or edited film shoot. The main emphasis will be on the image and presentation the actor projects and how to make the necessary adjustments so that the actor can become more aware of their respective media with a greater sense of focus and presence. Process Acting Technique (Specialty Application)
Description: Occasionally, subject to instructor/location/equipment availability, an industry related course will be offered as a supplement to the Process Acting Technique course. Previous courses have focused on firearms handling, film fight choreography, locations scouting/blocking - camera coverage, film/video editing, taking direction (and on set protocol) and screenplay and storyboard editing. LEGEND
* COURSE SCHEDULES AND DURATIONS MAY VARY ACCORDING TO AVAILABILITY * PRICES ARE SUBJECT TO APPLICABLE TAXES |
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Television and Film Studio
66 Fort York Blvd,
Studio G08
Toronto, ON
M5V 4A6
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